I like it like this are you schizophrenic?


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March 01, 2003 - 4:28 PM


Bugger! I came 2nd in Write My Life by just half a point. Here are the entries I made. Since I'm really not a writer at all, I don't mind coming second too much. Oh yeah, and I hate reading. So when you have time, go through them and give me some comments please.

1: Introspection (5/6)
2: Improvised Biography (ungraded)
3: Freestyle (4.75/6)
4: Poem (4.5/6)
5: Play (5/6)

1). In 500+ words, describe a person, place or thing in detail that has changed or influenced your life. and for the purpose of this assignment, the topic cannot be boyfriends/husbands, children or parents...make it creative, interesting and fun *or incredibly painful*

[Not sure if I like this or not. I was really just trying to fill in space with the extended metaphors.]

It was an adolescent, well a boy that is, who changed me. He was happy and carefree and many would envy the free spirited zest and humour he possessed. He was my best friend, about the same age as me and able to put anything into perspective. Anything at all. You see, some would say that the world is not just �black and white�, but made up of shades of grey. He taught me how it was the blacks and whites that make up the grey; not the other way round! Not just a mentor, he was a companion too. We did everything together, in fact.

I had to move school, and we kept in touch vigorously. My own ability to deal with things had thus far not been tested, as I always had him to put everything right. When I got ill, I knew it would go away. When I felt low, I knew it was a temporary slump. When I felt angry, I knew it wouldn�t -couldn�t- last.

When I found a bony lump jutting out of my chest I�..

I didn�t know. It was certainly different. An oddity along the same vein as discovering your parents do the wild thing. Curious, but otherwise not awe-inspiring.

The cancer had been ruthless. It consumed me inside out with silent aggression. It was the alter boy who sings seductively for the priest and then steals from the collection tray.

The doctors knew. They knew. It was black and white like the others. Like ash. I was put on black and white drugs, given flirtatious reassurance by nurses, black and white, examined hard and soft, hot and cold, black and white. My mother, however, was a paler shade of grey.

Suddenly I was alone, plunged into a pit of blackness. And white.

Alone.
Yet I still had my best friend. Or did I? How could I be sure anymore? My own precious body turned against me. He could too.

The shades rolled like waves. My best friend grew more detached- I couldn�t trust him anymore. He had tricked me into seeing the world his twisted way. Cytotoxic drugs showed me grey he�d never explained. Sometimes, when the moonlight hit a grey crest a certain way, I swear I could see him in my reflection.

How those waves bounced me around. Oh you wouldn�t believe how these were more powerful than physical waves. More powerful than the battle between bad and worse to reclaim my body.

That itself was a long war of attrition. Both sides grew weary and depleted. The damage was all too obvious, but there were no signs of an emerging victor. I realised that most of the power was in the waves and not the craft themselves. My vessel rocked up on top of them fearlessly. Even when visibility was reduced to just one day at a time, I knew the direction of the waves and rode the rough sea until my usurper finally sank in the storm.

Things are not so black and white anymore. I see beauty in a colourful world. The red of rage, green of jealousy, the pink of play.

And more so I see the inherent depression and innocence of black and white. Beautiful colours, but not a complete picture all the same.

The best friend was myself. Things are not so black and white anymore.
But I am black and blue.

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2). Go to a public place. Sit down and watch people go by. Pick one person, notice their looks, their walk, their face, their clothes. Take notes. You might even take notes about several people. Write their biography (abridged, of course).

[Ungraded due to technical problems. There is actually a fairly deep message if you look out for the viscious circle which becomes more apparant at the end.]

Sean grew up in a Peckham council estate and never stepped beyond London�s borders for more than a weekend away to a holiday camp. Born to a family that wished it was middle class and constantly tried to assert this notion, he had, you could say, identity issues.

His father, Gavin, was a local boy and a mechanic by trade. He had somehow (the neighbours suspected foul play) knocked up and married Danielle, a beautiful and sophisticated lady with some distant relationship to the Danish royal family. Sean was often irritated by his dewy-eyed friends crooning over his mother, but the truth be told, he understood what they were talking about.

Sean�s younger sister, Alicia, was very protected from the violence and rough dealings going on in the area. The neighbourhood kids were dodgy geezers, and often into gangs and drugs, so Sean protected Alicia like, well like a little sister. As a result she was a little princess- sweet and na�ve.

When Sean was around 10 he saw his parents fighting. Not a new occurrence by any means, but Gavin was drunk and starting hitting Danielle on the head. She was left sobbing in a corner in the kitchen and his father stormed out, presumably to the social club. Sean realised his family was no better than the bickering, telly addicted, chain smoking, bedger families around them. His father was a drunk, his mother weak and emotionally unstable, and Sean himself didn�t know his place in life and couldn�t fit in with the cool kids or even the nerds at school.

At 18, he got his first girlfriend, Rachel, and was crazy about her. How could he not be; she�d had a rough upbringing like many, but was the sweetest thing ever and seemed to lap up his jittery, slightly odd behaviour. They had both just got out of secondary school and couldn�t wait to move out. Sean could get away easily enough, although he hated leaving his sister like that. Rachel�s parents wouldn�t let her leave though, so one night they snuck away and got a train to the other side of the city with some money his mother gave him from a secret stash.

After some extremely bad nights wandering the streets and hostels of North London, the cute couple found a cheap flat in Finchley. They were ecstatic to be free of their crazy homes but this feeling of elation was just a mirage, an illusion formed in the heat of the moment. Finchley was still a lower class suburb, much like Peckham but a bit safer. Rachel seemed happy, but Sean had always dreamed of a better life like that which his mother had described about her youth. They both had to work hard and long so they could pay the bills; him in a coffee shop, and her as a hairdresser.

Sean started getting enraged by the landlord who kept harassing Rachel. He knew he couldn�t do anything though because he they couldn�t afford to go anywhere else, and what was more worrying was that Rachel thought she might be pregnant. So they carried on trudging. Sean missed his mother and sister painfully, and felt a heavy guilt for leaving them and not even making it up enough by giving a good life to his girl.

It had been maybe a year in Finchley. Sean came back and found the landlord drooling over Rachel while pinning her against the wall. He swiped and clubbed him in the face, knocking him to the floor. They fled the building to a sort of friend�s house nearby and pleaded to stay there a while. Two days later, Rachel was found dead. Her suicide note was messily scrawled but there was something about a rape, the name of the �friend� and a warning about a vicious circle of repressed misery and rage.

Crushed but on fire, Sean wrecked the house. He ran out to the backstreets where he cursed the world and bawled for a few hours. Then he stood up calmly, and walked some miles south. He managed to get a loan out while he stayed in a hostel in Camden and found a new job in the club wear shop Cyber Dog. He fitted in there perfectly with his newly pierced up, hardcore look. He made some friends there that encouraged him in a sort of teenage-esque rebellion that he embraced. Life was perhaps reaching some sort of stability.

Now I am sitting on the underground, head tilted back, legs outstretched, and this guy opposite seems to be looking at me. Not just looking mind. Observing. He is making mental notes and looking at my spiky hair, my stretched ears and leather jacket. If he doesn�t stop I�ll have to give him one. He must think I�m some sort of dropout or something. Fucker. Now, I�m thinking about my dad. I haven�t seen him for so long. But I miss him. He always put people in their place.

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3). Write a 500+ word introspective piece. it should be "stream of conciousness" style, meaning that whatever thought comes to your head, you write it down, then let the thoughts flow from your head to the keyboard...

[Now this was difficult! I had no idea what to write and so ended up writing about just that]

What a curse of the creative juices. What will be will be so why worry with the intermediary processes? Because FATE, like hindsight only works in one direction. The burden of the intermediary processes which make up life, is immense. No individual could be expected to organise their lives on anything but a day by day basis. A worker bee is only concerned with the task at hand. It has no time for chess games, or Uncle Ben�s stir in sauce.

What am I trying to say? Well it goes something along the lines of penis. �The lines of penis� is not a euphemism for feeding the fish, feeding her the spicy sausage, burying the bone, sinking the white or integrating by parts. Nor is �the lines of penis� some intricate vascular depiction on display in the Tate Modern.

Something along the lines of penis is, what all of us frequently ponder, when faced with a task beyond our accustomed skill level. I shall demonstrate a for instance:

Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Not a penis.

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4). Your assignment this week is a poem. it doesn't have to be 500 words. Length is up to you, but i'd rather have a kick ass 15 lines than a boring 30 lines. Use images and make sure your language is vivid, lively and original. No spring flowers and love in the air shit. Keep it real.

[I'd just seen Mamma Mia in the theatre. Haha!]

"Kitsch and crass"
The critic fumes,
"They replicate those classic tunes
With plot that�s meek and shallow
Not
The masterpiece that one should hallow"

But
Art is presentation
And
Despite the script is often corny
Something �bout theatre�s extremely horny

View, avail
A sleek old tail
Or milky young flesh
Choreographed, the best

In veritable cultural blender
Visual appeal in all its splendour
Rich deep music quicken the beat
As heart warms sinking into seat

Alone are we, the others vanished
The cast and I, are private banished
Our world itself, entrance me further
And shake my knee a mighty fervour

Big
things
don�t
come in small packages

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5). Where will you be in 10 years? Do you know? Write a 5 minute scene about your life in 10 years. You can include dialogue, stage directions, even lighting and setting if you wish. I am looking for reality and emotion in situations. I want 3-dimensional characters...no flat shit.

[I've never tried anything like this before]

Barrister 1: We have heard the allegations against you. Now tell the court again, where were you on the night in question?

Jonnybox: I stayed late at work. The deadline for the peace agreement was the 5th of October so the French delegates requested my urgent assistance on their 3rd draft and of course I obliged.

Barrister 1: And during this time did you have privileged access to the French diplomatic databases?

Jonnybox: Monsieur Levigne tries to assist us whenever we help him.

Barrister 1 (raising tone): I ask again, did you have access to the classified database?

Jonnybox: That in itself, is classified information.

Barrister 1: May I remind you, this is an international court of law. You are under oath sir, and a charge of perjury may still be committed.

Barrister 2: Objection!

Judge: Sustained. We have an agreement with the Anglo-French alliance. You must try another line counsellor.

Barrister 1: You are of course aware of the connections being made with your department and the secret services? What did you do with the German Account numbers?!

Judge: Counsellor!! May the jury discount the last question.

Barrister 1: Sorry, my lord. The prosecution requests an adjournment. Our next witness is having difficulty at the airport security.

Judge: Very Well. We shall reconvene at 1500 tomorrow.

In a backroom, Jonnybox is squeezed by his wife Adelle.

Adelle: They can�t keep you in overnight again! You didn�t do anything!

Jonnybox: Don�t worry Ellie. Look after the kids for me- get room service. I�ll be out soon to whisk us off to Mauritius.

Barrister 2: Well, their next witness is Fritz Brenner. I believe I can persuade Justice Machullen that he is unreliable. He has a drink problem, and the head of the Bureau de S�curit� can vouch that he has affiliations with Deutsche Bank.

Jonnybox: I know. Eurotrash if ever I saw it. He�s got his fingers in so many pots of honey his wife has to use male escorts.

Barrister 2: Indeed Jonnybox...but...he has friends in high places...

Adelle: God, I hope you know what you�re doing. This has gone much too far!

Jonnybox plants a grip on her shoulder.

Barrister 2: Now, you must tell me again. Could you possibly have known the account numbers for the stolen German accounts at Credit Suisse?

Jonnybox: Come on Antoine. You know the agency wouldn�t stand for that.

Barrister 2: Yes...but there is a jury out there. If Brenner holds his ground he could make the corruption charges extremely weighty. I need something; something that can convince the jury you could not have broken into the systems.

Jonnybox: The agency already gave you all the information they have on this. I don�t know what else there...

Pause

Adelle: He couldn�t have. He only does admin for the Foreign Secretary!

Paper shuffling, and averted gazes.

Barrister 2: Adelle, I think I need to talk to Jonnybox alone for a bit. You know- for the sake of haste.

Adelle: Oh right. I see. I - I don�t want to be kept in the dark though. You�d better not keep anything from me Mr Jonnybox. Get back to me soon and don�t do anything stupid.

Exits grumpily.

Quiet but intense whispering ensues under dimmed lights. Jonnybox apparently drifts into a daydream about the courtroom drama in a series of confrontations.

Barrister 1 [angrily]: The corruption is astounding. It seems to go right to the top. Even the Swiss officials are refusing to give evidence! I put it to you, Jonnybox, that you are really involved in a deep anti-German conspiracy to collapse their Government and expedite this war!!

Drifts into�

Barrister 2: And so Madame, you can show us the documents that not only is the witness an alcoholic, but that he was admitted to the Credit Suisse Rehabilitation Clinic under an alias?

Drifts into�

Judge: I have to say, your part in the peace process is admirable, Jonnybox. No court can advocate subversive behaviour of the sort being charged...but...ahem I wish you the best in your cause. Clearly the evidence here is transparent and weak. Case dismissed!

There is an uproar in the viewing gallery

Barrister 2 leaps up and hugs Adelle. Enraged, Barrister 1 shakes his fist and mutters to himself.

Jonnybox hands over the handsome cheque and strides defiantly out of court with his family.

Outside, gasping at the contents of the briefcase,

Adelle: But, but, my god. They�re the actual German Bonds?

Jonnybox: Taxi! Airport please. I have some fish to catch.

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Bugger! I came 2nd in Write My Life by just half a point. Here are the entries I made. Since I'm really not a writer at all, I don't mind coming second too much. Oh yeah, and I hate reading. So when you have time, go through them and give me some comments please.

1: Introspection (5/6)
2: Improvised Biography (ungraded)
3: Freestyle (4.75/6)
4: Poem (4.5/6)
5: Play (5/6)

1). In 500+ words, describe a person, place or thing in detail that has changed or influenced your life. and for the purpose of this assignment, the topic cannot be boyfriends/husbands, children or parents...make it creative, interesting and fun *or incredibly painful*

[Not sure if I like this or not. I was really just trying to fill in space with the extended metaphors.]

It was an adolescent, well a boy that is, who changed me. He was happy and carefree and many would envy the free spirited zest and humour he possessed. He was my best friend, about the same age as me and able to put anything into perspective. Anything at all. You see, some would say that the world is not just �black and white�, but made up of shades of grey. He taught me how it was the blacks and whites that make up the grey; not the other way round! Not just a mentor, he was a companion too. We did everything together, in fact.

I had to move school, and we kept in touch vigorously. My own ability to deal with things had thus far not been tested, as I always had him to put everything right. When I got ill, I knew it would go away. When I felt low, I knew it was a temporary slump. When I felt angry, I knew it wouldn�t -couldn�t- last.

When I found a bony lump jutting out of my chest I�..

I didn�t know. It was certainly different. An oddity along the same vein as discovering your parents do the wild thing. Curious, but otherwise not awe-inspiring.

The cancer had been ruthless. It consumed me inside out with silent aggression. It was the alter boy who sings seductively for the priest and then steals from the collection tray.

The doctors knew. They knew. It was black and white like the others. Like ash. I was put on black and white drugs, given flirtatious reassurance by nurses, black and white, examined hard and soft, hot and cold, black and white. My mother, however, was a paler shade of grey.

Suddenly I was alone, plunged into a pit of blackness. And white.

Alone.
Yet I still had my best friend. Or did I? How could I be sure anymore? My own precious body turned against me. He could too.

The shades rolled like waves. My best friend grew more detached- I couldn�t trust him anymore. He had tricked me into seeing the world his twisted way. Cytotoxic drugs showed me grey he�d never explained. Sometimes, when the moonlight hit a grey crest a certain way, I swear I could see him in my reflection.

How those waves bounced me around. Oh you wouldn�t believe how these were more powerful than physical waves. More powerful than the battle between bad and worse to reclaim my body.

That itself was a long war of attrition. Both sides grew weary and depleted. The damage was all too obvious, but there were no signs of an emerging victor. I realised that most of the power was in the waves and not the craft themselves. My vessel rocked up on top of them fearlessly. Even when visibility was reduced to just one day at a time, I knew the direction of the waves and rode the rough sea until my usurper finally sank in the storm.

Things are not so black and white anymore. I see beauty in a colourful world. The red of rage, green of jealousy, the pink of play.

And more so I see the inherent depression and innocence of black and white. Beautiful colours, but not a complete picture all the same.

The best friend was myself. Things are not so black and white anymore.
But I am black and blue.

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2). Go to a public place. Sit down and watch people go by. Pick one person, notice their looks, their walk, their face, their clothes. Take notes. You might even take notes about several people. Write their biography (abridged, of course).

[Ungraded due to technical problems. There is actually a fairly deep message if you look out for the viscious circle which becomes more apparant at the end.]

Sean grew up in a Peckham council estate and never stepped beyond London�s borders for more than a weekend away to a holiday camp. Born to a family that wished it was middle class and constantly tried to assert this notion, he had, you could say, identity issues.

His father, Gavin, was a local boy and a mechanic by trade. He had somehow (the neighbours suspected foul play) knocked up and married Danielle, a beautiful and sophisticated lady with some distant relationship to the Danish royal family. Sean was often irritated by his dewy-eyed friends crooning over his mother, but the truth be told, he understood what they were talking about.

Sean�s younger sister, Alicia, was very protected from the violence and rough dealings going on in the area. The neighbourhood kids were dodgy geezers, and often into gangs and drugs, so Sean protected Alicia like, well like a little sister. As a result she was a little princess- sweet and na�ve.

When Sean was around 10 he saw his parents fighting. Not a new occurrence by any means, but Gavin was drunk and starting hitting Danielle on the head. She was left sobbing in a corner in the kitchen and his father stormed out, presumably to the social club. Sean realised his family was no better than the bickering, telly addicted, chain smoking, bedger families around them. His father was a drunk, his mother weak and emotionally unstable, and Sean himself didn�t know his place in life and couldn�t fit in with the cool kids or even the nerds at school.

At 18, he got his first girlfriend, Rachel, and was crazy about her. How could he not be; she�d had a rough upbringing like many, but was the sweetest thing ever and seemed to lap up his jittery, slightly odd behaviour. They had both just got out of secondary school and couldn�t wait to move out. Sean could get away easily enough, although he hated leaving his sister like that. Rachel�s parents wouldn�t let her leave though, so one night they snuck away and got a train to the other side of the city with some money his mother gave him from a secret stash.

After some extremely bad nights wandering the streets and hostels of North London, the cute couple found a cheap flat in Finchley. They were ecstatic to be free of their crazy homes but this feeling of elation was just a mirage, an illusion formed in the heat of the moment. Finchley was still a lower class suburb, much like Peckham but a bit safer. Rachel seemed happy, but Sean had always dreamed of a better life like that which his mother had described about her youth. They both had to work hard and long so they could pay the bills; him in a coffee shop, and her as a hairdresser.

Sean started getting enraged by the landlord who kept harassing Rachel. He knew he couldn�t do anything though because he they couldn�t afford to go anywhere else, and what was more worrying was that Rachel thought she might be pregnant. So they carried on trudging. Sean missed his mother and sister painfully, and felt a heavy guilt for leaving them and not even making it up enough by giving a good life to his girl.

It had been maybe a year in Finchley. Sean came back and found the landlord drooling over Rachel while pinning her against the wall. He swiped and clubbed him in the face, knocking him to the floor. They fled the building to a sort of friend�s house nearby and pleaded to stay there a while. Two days later, Rachel was found dead. Her suicide note was messily scrawled but there was something about a rape, the name of the �friend� and a warning about a vicious circle of repressed misery and rage.

Crushed but on fire, Sean wrecked the house. He ran out to the backstreets where he cursed the world and bawled for a few hours. Then he stood up calmly, and walked some miles south. He managed to get a loan out while he stayed in a hostel in Camden and found a new job in the club wear shop Cyber Dog. He fitted in there perfectly with his newly pierced up, hardcore look. He made some friends there that encouraged him in a sort of teenage-esque rebellion that he embraced. Life was perhaps reaching some sort of stability.

Now I am sitting on the underground, head tilted back, legs outstretched, and this guy opposite seems to be looking at me. Not just looking mind. Observing. He is making mental notes and looking at my spiky hair, my stretched ears and leather jacket. If he doesn�t stop I�ll have to give him one. He must think I�m some sort of dropout or something. Fucker. Now, I�m thinking about my dad. I haven�t seen him for so long. But I miss him. He always put people in their place.

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3). Write a 500+ word introspective piece. it should be "stream of conciousness" style, meaning that whatever thought comes to your head, you write it down, then let the thoughts flow from your head to the keyboard...

[Now this was difficult! I had no idea what to write and so ended up writing about just that]

What a curse of the creative juices. What will be will be so why worry with the intermediary processes? Because FATE, like hindsight only works in one direction. The burden of the intermediary processes which make up life, is immense. No individual could be expected to organise their lives on anything but a day by day basis. A worker bee is only concerned with the task at hand. It has no time for chess games, or Uncle Ben�s stir in sauce.

What am I trying to say? Well it goes something along the lines of penis. �The lines of penis� is not a euphemism for feeding the fish, feeding her the spicy sausage, burying the bone, sinking the white or integrating by parts. Nor is �the lines of penis� some intricate vascular depiction on display in the Tate Modern.

Something along the lines of penis is, what all of us frequently ponder, when faced with a task beyond our accustomed skill level. I shall demonstrate a for instance:

Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Penis. Not a penis.

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4). Your assignment this week is a poem. it doesn't have to be 500 words. Length is up to you, but i'd rather have a kick ass 15 lines than a boring 30 lines. Use images and make sure your language is vivid, lively and original. No spring flowers and love in the air shit. Keep it real.

[I'd just seen Mamma Mia in the theatre. Haha!]

"Kitsch and crass"
The critic fumes,
"They replicate those classic tunes
With plot that�s meek and shallow
Not
The masterpiece that one should hallow"

But
Art is presentation
And
Despite the script is often corny
Something �bout theatre�s extremely horny

View, avail
A sleek old tail
Or milky young flesh
Choreographed, the best

In veritable cultural blender
Visual appeal in all its splendour
Rich deep music quicken the beat
As heart warms sinking into seat

Alone are we, the others vanished
The cast and I, are private banished
Our world itself, entrance me further
And shake my knee a mighty fervour

Big
things
don�t
come in small packages

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5). Where will you be in 10 years? Do you know? Write a 5 minute scene about your life in 10 years. You can include dialogue, stage directions, even lighting and setting if you wish. I am looking for reality and emotion in situations. I want 3-dimensional characters...no flat shit.

[I've never tried anything like this before]

Barrister 1: We have heard the allegations against you. Now tell the court again, where were you on the night in question?

Jonnybox: I stayed late at work. The deadline for the peace agreement was the 5th of October so the French delegates requested my urgent assistance on their 3rd draft and of course I obliged.

Barrister 1: And during this time did you have privileged access to the French diplomatic databases?

Jonnybox: Monsieur Levigne tries to assist us whenever we help him.

Barrister 1 (raising tone): I ask again, did you have access to the classified database?

Jonnybox: That in itself, is classified information.

Barrister 1: May I remind you, this is an international court of law. You are under oath sir, and a charge of perjury may still be committed.

Barrister 2: Objection!

Judge: Sustained. We have an agreement with the Anglo-French alliance. You must try another line counsellor.

Barrister 1: You are of course aware of the connections being made with your department and the secret services? What did you do with the German Account numbers?!

Judge: Counsellor!! May the jury discount the last question.

Barrister 1: Sorry, my lord. The prosecution requests an adjournment. Our next witness is having difficulty at the airport security.

Judge: Very Well. We shall reconvene at 1500 tomorrow.

In a backroom, Jonnybox is squeezed by his wife Adelle.

Adelle: They can�t keep you in overnight again! You didn�t do anything!

Jonnybox: Don�t worry Ellie. Look after the kids for me- get room service. I�ll be out soon to whisk us off to Mauritius.

Barrister 2: Well, their next witness is Fritz Brenner. I believe I can persuade Justice Machullen that he is unreliable. He has a drink problem, and the head of the Bureau de S�curit� can vouch that he has affiliations with Deutsche Bank.

Jonnybox: I know. Eurotrash if ever I saw it. He�s got his fingers in so many pots of honey his wife has to use male escorts.

Barrister 2: Indeed Jonnybox...but...he has friends in high places...

Adelle: God, I hope you know what you�re doing. This has gone much too far!

Jonnybox plants a grip on her shoulder.

Barrister 2: Now, you must tell me again. Could you possibly have known the account numbers for the stolen German accounts at Credit Suisse?

Jonnybox: Come on Antoine. You know the agency wouldn�t stand for that.

Barrister 2: Yes...but there is a jury out there. If Brenner holds his ground he could make the corruption charges extremely weighty. I need something; something that can convince the jury you could not have broken into the systems.

Jonnybox: The agency already gave you all the information they have on this. I don�t know what else there...

Pause

Adelle: He couldn�t have. He only does admin for the Foreign Secretary!

Paper shuffling, and averted gazes.

Barrister 2: Adelle, I think I need to talk to Jonnybox alone for a bit. You know- for the sake of haste.

Adelle: Oh right. I see. I - I don�t want to be kept in the dark though. You�d better not keep anything from me Mr Jonnybox. Get back to me soon and don�t do anything stupid.

Exits grumpily.

Quiet but intense whispering ensues under dimmed lights. Jonnybox apparently drifts into a daydream about the courtroom drama in a series of confrontations.

Barrister 1 [angrily]: The corruption is astounding. It seems to go right to the top. Even the Swiss officials are refusing to give evidence! I put it to you, Jonnybox, that you are really involved in a deep anti-German conspiracy to collapse their Government and expedite this war!!

Drifts into�

Barrister 2: And so Madame, you can show us the documents that not only is the witness an alcoholic, but that he was admitted to the Credit Suisse Rehabilitation Clinic under an alias?

Drifts into�

Judge: I have to say, your part in the peace process is admirable, Jonnybox. No court can advocate subversive behaviour of the sort being charged...but...ahem I wish you the best in your cause. Clearly the evidence here is transparent and weak. Case dismissed!

There is an uproar in the viewing gallery

Barrister 2 leaps up and hugs Adelle. Enraged, Barrister 1 shakes his fist and mutters to himself.

Jonnybox hands over the handsome cheque and strides defiantly out of court with his family.

Outside, gasping at the contents of the briefcase,

Adelle: But, but, my god. They�re the actual German Bonds?

Jonnybox: Taxi! Airport please. I have some fish to catch.

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